Investment

Since I last talked about making wax sculptures of hands for casting I’ve made a lot of progress. I’ve started streaming my art making process on twitch.tv, and cast a few pieces. If you’ve no read my previous post, I explain my journey into twitch streaming and how it fits into my practice, more specifically wax sculpting.

My teacher asked me to look into the symbology behind hands, what they mean, and why i might be so interested in recreating them. So I did the logical thing, made a playlist of videos all about hands, sign language, muscle structure, symbology, and body language, then streamed myself making wax hands while i watched it. Such is a modern art practice. You can find the original stream at twitch.tv/greatjobjake the playlist on my YouTube channel. I’ll touch briefly on the first video on the playlist, which unfortunately I cant embed in this blog, It’s on the symbolism of hands in the Del Toro movie Pans Labyrinth.

Small tangent, this type of video essay might be a little foreign to some, but it’s becoming a more and more competitive genre. I became really obsessed with this style of video at the beginning of Melbourne’s first lockdown through creators like Contrapoints and PhilosophyTube. I really enjoyed how people would break down a topic, attempt to cite sources, and it really just made YouTube feel like more of a reliable source of information. They even have their own version of peer review in the form of referencing, debunking and responding to each others videos.

Something I enjoyed about this video was the constant reinforcing of the position hands took in the film, they use a technique of presenting a simpler version of the answer that is slightly incorrect, in order to help guide the viewer to their final observation on the concept. A common theme throughout all these video, or at least my take away from watching them, was that hands are symbolic not so much in a visual sense, but through our understanding of their versatility, functionality and historical context. For example, the video above references cultures that keep one hand for ‘holy’ tasks such as eating and praying, and the other hand for unclean tasks, like wiping and other sanitary issues.

Another interesting tangent the videos took was that of how body language can change how people perceive us. One video gave three demonstrations ways to address a crowd, and in each he changed how he gestured towards the crowd, but kept his verbal message the same. In the first he kept his palms open and facing upward, gestured softly towards the crowd, and used sweeping motions, this gave a softer more open feeling. People felt inclined to do what he said, in essence because his body language was kind and inviting. In the second, he turned his palms downwards, gestures became sharper and more pointed, the crowd resisted him more with this motion, he explained this body language comes across as an order as compared to the previous ‘pleasant request’. The final gesture was a pointed finger and closed fist, this was above an order, this makes us feel not only directed but small and stupid. These subtle ways we hold ourselves can have a huge effect on how we are received.

These are the first cast pieces I made, you can see they’re pretty rough, but I ended up really liking this look, it gives the impression that parts have been warn back from excessive rubbing. An old photography teacher of mine David Van Royen once told me that if you’re unsure about a photograph, to keep it on your fridge at home so you see it everyday, and have to consider it constantly. I like to take this approach now with a lot of work I make, I leave it laying around in my space, so I have to interact with it and confront it. I did this with the hands, I kept them on my work table so that while I was using my computer, in a zoom call or streaming, I could play with them and roll them around in my hands.

I’ve been doing this for about a week now, and I know it’s super corny, but all I think about when I hold them is how nice it is to hold a hand. When collecting my thoughts about this project I was actually reminded of a song from a band I loved in my early twenties that I’ve posted below. Your Hand in Mine is an incredibly sentimental song, Explosions in the Sky really know how to convey a sense of sincerity through their instruments. Before lockdown I was never really a touchy person, I probably would of told you that i would prefer people never touched me. As devastating as these lockdowns have been, they have absolutely opened me up to the idea of human touch being integral to maintaining good mental health and social bonds. I’ve come out the other side of this event a much more sentimental and physical person.

Following on from these casted pieces, and with that sense of sentimentality in mind, I made a small sculpture work from another set of hands. I was thinking a lot about a potential future outside of lockdown, the prospect of starting a family and feeling closer and more supported by my friends. I also thought about how when making a work about hands, it’s interesting to consider how they’re going to interact with your hands and each other. I really wanted to introduce a sense of tactility with this work, I like the idea of stacking and arranging them, feeling heavy metal sitting on top of more heavy metal.

Finally I sent off three items to get cast by professionals at Lenrose Jewelers, thought I haven’t got these back, I’m pretty confident that they’ll be of a very high quality. With these newest works I was trying to practice and perfect the hand ring and the hand pendant. With the pendants I like trying to make them as realistic as possible in their articulation, while keeping the surface more of an impression of skin instead of an accurate representation. I didn’t take any images before I sent them off, but the VOD of me making them can be seen in my last post.

Overall I’ve really enjoyed this process of working with wax and silver, but while the casting process was interesting I think what I enjoyed most was working with three dimensional mediums. Going foreword I think I will explore this aspect of carving, molding, and shaping.