So this post will basically be talking through my early design process in creating a Covid charm, see my previous post for what a charm is. Initially we were told to think about what had defined our time in lockdown, and therapy came to mind. I spent probably about 15 weeks in sessions with a student therapist from Melbourne university, It was easily some of the most intense sessions I’ve ever been a part of, and by the end felt like I was more mentally exhausted by the therapy than the lockdown. We did this one exercise called chair work, where I would address the chair sitting next to my therapist on the screen as if I was also sitting in it? does that make sense? this was all over zoom.
I showed up late for class, and totally unprepared the morning these sketches were due, luckily I was on the far end of the room, and double lucky I find it easier to pay attention if my hands are busy. So I tried to come up with some ideas that would be fun, but maybe easier to execute. I always get kind of annoyed when I see peoples art diaries and they’re these perfectly maintained books, each page a masterpiece. Most of my visual diaries are 90% half finished pencil sketches, 5% slightly more fleshed out ideas, and 5% notes to myself, sometimes about art, but mostly like phone numbers, quick math and maybe an important password or two. So I don’t really enjoy showing them, but here’s my starting point.
Waxing relaxing all cool
Despite this being my first time using wax, I’ve spent countless hours at work playing with blu-tac on the tills, making tiny sculptures in my down time (if I work for you this is a lie and I am a model employee) so this felt kind of like an extension of that, only the wax was a lot firmer. The thing I was most interested to make was hands, I always love drawing hands, getting a hand right feels like an accomplishment. So I started making hands, these ones below were a combination of brown and pink sheet wax, I focused on getting them as small as I could while still feeling substantial and recognizable. I learnt ways I could make them smoother and look cleaner, but I actually really liked the rough handmade appearance. To me they have the appearance of carved stone, which I think gives off a more masculine vibe.
I’m most proud of the clicking hand on the far right, it came in at 0.7 grams of wax, which I think turns out to be 7.3 grams of silver. There’s something so fantastically fiddly about working with objects this small, people forgive inaccuracies on a smaller scale, and adding too much detail might end up making it look messy.
Another style I attempted were these rings down below, it might be difficult to see but they are flat little hands wrapped around to make a ring. These seem to be the most popular thing I’ve made, I think I get that, they’re super simple and especially the smaller ring has just enough variation to look human, but still stylized.
When my teacher mentioned this artists name, I thought it was spelt Francis Oop Richard, I don’t if anyone ever has had the middle name Oop, but you can see it in my diary photo above.
UPRICHARD’s practice involves design, sculpture and traditional craft methods. I can really see why my teacher recommended her work, it’s very bodily, and has a really nice tactile . In the video linked below she also talks about smaller scale being intimate, and an intuitive process of creating, both aspects I very much admire and relate too.
At this moment two of my wax pieces have been cast and are ready for collection, but unfortunately medical issues have kept me homebound for the last few days. I’m excited to see how they turned out and will post when I have them in my grubby little hands!